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“People see the folly in my colourful liveliness and fail to see the madness in their boring normality.” - Mad Hatter (Johnny Depp), in “Alice in Wonderland”, 2010
Milano Rho Fiera: Cappellini provokes us again this year with its ability to detect trends and signals from various places in the world and everyday life. Fashion like art has an always more important role in representing reality, bringing latent needs to the forefront (e.g. the return of the mini-skirt for women or the return of wood and natural materials for furniture) and currents of thought in opposition to the mainstream which standardizes all artistic expressions. Considering this, new aesthetics are more inspired by local heritage, and cultural groups who have not yet been absorbed by the patterns of global standardization. The street and in particular the "street art" are the new protagonists, the basis of Cappellini’s concept for the Salone 2014 exhibition.
"CAP TOWN" is an installation that recalls, in form and colour, the unstructured and irregular architectures of villages in the southern hemisphere. Raw and rough colors that contrast with the traditional canons of aesthetics and beauty, against the vision of a world that has been aestheticized at all costs and leave room for individual events. A set of boxes placed along the perimeter of the stand describe a real but lively world where the Cappellini products find a place which is quiet and at the same time alive. Here there are ten horizontal and vertical boxes that represent ton-sur-ton domestic and lounge areas: a living area, a bedroom, a dining room, an office, a waiting room... which cointain products with a very pronounced character that, thanks to their personality, stand out from the average and standardized tastes which tend to flatten and simplify contemporary living.
Milano, via Santa Cecilia 4: the presentation of a selection of 2014 products in the Milanese showroom, is new for this year, the “Cappellini Home” in the unusual color combination black/white with purple tells the story of the classics from its catalogue alternating rigorous furniture products with loud products that have a strong visual impact. Again Cappellini demonstrates how objects by designers with different histories, cultures and backgrounds can live harmoniously together.
“LOSING MY AMERICA”
Milano, via Santa Cecilia 4: seeking to preserve and diffuse the American crafts’s legacy the Chilean studio “gt2P” together with “Coletivo Amor de Madre Gallery”, has developed the project Bridging America, a system to dialogue with the design industry through the exploration of new technologies. Each piece of the collection becomes a practical research for the development of collaborations with local artisans and designers “Losing my America” is the first expression of this work. Ariel Rojo - México, Estudio Guto Requena - Brasile, gt2P - Chile.
“GREEN FURNITURE AWARD 2014”
Milano, via Santa Cecilia 4: on Friday 11th April the Cappellini showroom will host the awards ceremony for this global design competition for sustainable furniture. This is a way of bringing together the best sustainable design projects, to show the world how good design can be.
CAPPELLINI PROTAGONIST OF MANY INITIATIVES AT THE SALONE 2014
Rho Fiera, Tuesday 8th – Sunday 13th April
Stand Cappellini: pavilion 20 stand E01 - F06, “Cap Town”.
Red Lounge Cosmit: service center ground floor, 2 Elan white leather, 2 Spring white, Smoke.
Stand Ceramica Flaminia: pavilion 24 stand F05, Bong, Neo Country, Bac chair, Lotus table.
Tuesday 8th April
Design Contest Istituto Marangoni, Bolon, Cappellini: via Cerva 24; competition awards ceremony at the Istituto Marangoni Design School which has been fully furnished by Cappellini and the two winning prototypes will also be on show.
Thursday 10th April
Colombo Via della Spiga: via Bigli 11/A; presentation of the collection of bags designed by Nendo at Spazio Bigli, featuring with Cappellini products; the Cappellini products (Fronzoni, Ribbon) even at the boutique on Via della Spiga 9.
Friday 11th April
Showroom Cappellini: via Santa Cecilia 4; “Green Furniture Award 2014” Ceremony & Cocktail, 7pm - 9pm, awarding of the contest’s winner.
Showroom Cappellini, Tuesday 8th – Sunday 13th April
“LOSING MY AMERICA, gt2P + Coletivo Amor de Madre”, exhibition of sculptures made by Brazilian, Chilean and Mexican artisans; via Santa Cecilia 4.
“CAPPELLINI HOME”, new black/white with purple colour combinations for the Cappellini classics; via Santa Cecilia 4.
Exhibitions in the city:
“La Casa Morbida”: Museo Poldi Pezzoli: via Manzoni 12, exhibition with blue Peacock armchair.
“100% Original Design” (Elle Decor Italia): Piazza Duomo; exhibition at Palazzo Reale about original design (products Side 1, Three Sofa).
“Everything is Design” (DCasa): Via G. Vasari, 15; exhibition at Teatro Franco Parenti featuring limited editions (Eye Shadow lamp); photo exhibition at Emporio Opificio in via Tortona 31.
“60° Interni”: via Festa del Perdono; dinner at the Università Statale for the 60° anniversary of the magazine; Giulio Cappellini is protagonist of the table ‘84/’94 with a selection of designers and architects. 8 SChair in wicker and 6 PO blue crosses will be also on show.
Spotti: viale Piave 27; presentation of the Kvadrat / Raf Simons collection a selection of Cappellini products (Bird e Fronzoni) upholstered in this fabric.
Ebay: via Tortona 27; exhibition at Superstudio Più with Candy Shelf.
Alcantara: via Tortona 27; featuring S-Chair Homage To Berlin Limited Edition, 2 Bac tables, 2 Gong tables, 4 Peg armchairs.
Superstudiopiù: via Tortona 27; public spaces with 10 Mr.B armchairs and 2 Tron armchairs.
Carlo e Camilla in segheria: via Meda 24; chef Carlo Cracco hosts Fronzoni chairs, Tate Color chairs and Thinking Man’s chairs at his restaurant.
Daniel: via Fatebenefratelli 21; restaurant with Cloud bookshelf, Tate stools and Rive Droite chair.
“Let's not pretend that things will change if we keep doing the same things.”
Every year Cappellini amazes us for its ability to invent a new way to tell its uniqueness. "Cappellini ROOMS" is a contemporary setting but with references to the past and ideas suggested by fashion and costume. Unstructured architectures form a circular village on two levels. Ten stacked boxes reveal the interior styling with an open wall that makes the interior visible only to those who enter the central square. The only exception is the installation "Cappellini NEXT" open to the outside above the main entrance, to invite visitors to enter the Cappellini world and discover this year exhibition. At the entrance a shrine collects the valuable new products of "Progetto Oggetto" collection the middle ground is arranged with all the 2013 news, as an incentive to the public to interact with them, illuminated from above by a rain of 64 marvelous Meltdown lamps.
Ten independent and non-accessible boxes, sand-colored enclosures and interior walls ranging from pink to dark red and stage different environments from each other: a living room or a bedroom of a cosmopolitan house or a lounge area of a metropolitan hotel. The rooms are decorated with intangible painted items on the walls and floors, with extraordinary objects that tell the crafts of knowing how to give shape to a design thinking. Products in various materials that identify our history and culture, founders of a tradition of production that absolutely must be protected and valued. Exceptional interiors that talk about stories of products that will be beside us for many years. No more short lived trends and fashions, but freedom in combining shapes to materials, with a great return of wood and feelings of comfort and security associated with it. Impressions, memories and irony in a mix of 2013 collection and newer products offered in new finishes to meet the sensitivity of an increasingly demanding market.
And then Cappellini presents four "Limited Editions": the beautiful project "Inflated Wood" by Zanini de Zanine, which uses recycled wood of old plantations in Brazil, the enigmatic lamp "Eye Shadow" by Marcel Wanders, an object that is watching us with a thousand eyes..., the 24 numbered “S-Chair” upholstered in Alcantara® “animalier” and finally the 12 chairs “330” hand-painted by Eleonora Di Maio, the raw linen coating becomes manifest: “Viva l’Italia”.
After its success in 2012 the "Cappellini NEXT" project continues. This year at the Salone del Mobile Cappellini presents a selection of prototypes as they were originally intended by the designers in a first phase, before the company’s intervention. This initiative best expresses Cappellini’s spirit of exploration and research, beyond any commercial interest: the products are not presented as prototypes after the intervention or contamination of the brand, but proposed as they were originally conceived by the designers. This “pure” approach has always distinguished Cappellini’s spirit and its will to analyse how contemporary design moves on different latitudes. The projects discovered and selected by Giulio Cappellini with the aim of giving value to local productions come from diverse places and are a clear expression of the cultural and geographic influences of each designer, from the tactility of materials from Peru to the pragmatism of Nordic design.Glimpt Studio – Svezia / Prehistoric Aliens, Camilla Richter – Germania / Paravento, Florian Schmid – Germania / Stitching Concrete, Max Lipsey – USA / Acciaio Lounge.
Cappellini opens its first showroom in Asia (Manila, Philippines) with the support of its local partner Suyen. To celebrate the opening, the legendary talent scout and trend-setter Giulio Cappellini talks about the “Cappellini’s Dream”, a story of people and meetings and success.
Giulio Cappellini – architect, art director and a widely recognized trendsetter in the international design field – will visit the Philippines for the first time to share his insights on the world of design. Appointed as one of the top 10 trendsetters of our time and as one of the most charismatic leaders in design by TIME magazine, Cappellini helped to launch the world’s greatest and award-winning designers such as Jasper Morrison, the Bouroullec brothers, Marcel Wanders, Nendo and Tom Dixon, to name just a few.
Suyen corporation is a company with 25 years of retail expertise, is a leader in the local market with 16 home brands and 16 franchised brands, and it counts a total of 849 stores. Suyen will exclusively distribute Cappellini Italian furniture in a mono-brand showroom where typical “Cappellini HOME” settings will be created with all the famous icons of design as well as the Cappellini container systems.
The new Cappellini showroom is located in Fort Bonifacio, Taguig City, a well-known district of the city where the main fashion and design luxury brands boast their flagship stores. The showroom on a 260 square meter (850 square foot) ground floor area completely represents the Cappellini collection and it is totally turquoise, flooring, walls and ceilings. In fact, every Cappellini showroom has a specific color that connects it to the city in which it is settled: yellow for Milan, purple for Paris, red for New York and blue for Bruxelles.
Cappellini’s collection is characterized by experimenting and exploring new ways of living, allowing the whole domestic landscape to be furnished– from the living room, to the studio, to the bedroom. Many of the products have also become iconic pieces and are exhibited in museums throughout the world such as the V&A Museum in London, the MoMA in New York and the Pompidou in Paris.
For DesignMiami 2012 Cappellini has presented a project between artcraft and design: “INFLATED WOOD” LIMITED EDITION BY ZANINI DE ZANINE
Miami, December 2012 – After the successful project “Cappellini NEXT” presented at the 2012 April Milan design week, that involved the Trez armchair by Zanini de Zanine, Cappellini has developed the collaboration with this Brazilian designer presenting a special limited edition “Inflated Wood” part of the exceptional project “Reclaimed Woods”.
“Inflated Wood”: most of us look at wood as a warm material, elegant but also uncomfortable and hard. With contemporary techniques of carpentry, Zanini wanted, in this case, to subvert the theorem, floating in the middle of the solid material of demolition with a new proposal. Lines and sinuous curves suggest, in the three pieces of this limited series – armchair, bench and stool – an idea of material inflated and blown: “Inflated Woods”. The wood becomes so comfortable before to the eye and, immediately after, to the body. The noblest Brazilian woods, Ipé e Jacarandá, worked in their essence to find the warmth and sensuality of their soul without neglecting the typical character of strength and comfort.
By signing Reclaimed Woods_Limited Editions, Zanini designs and creates unique pieces or limited editions, handmade with sophisticated techniques of contemporary carpentry, a work addressed to collectors and design galleries. To escape from the frantic pace of industrial production and to recover precious legacy left by his father Jose Zanine Caldas, Zanini has developed since 2005 an authorial collection developed exclusively through the use of Brazilian solid woods from the demolition of old houses and fazendas. All furniture come from columns, beams, stairs and balustrades of old Brazilian houses. The tranquility of the small peaceful community in the west of Rio de Janeiro, which hosts from almost 10 years the workshop and showroom of this unique part of the work of Zanini, is an inexhaustible source of inspiration and makes a significant contribution to provide that strong emphasis of "brazilianness" that accompanies the nobility of local woods used with this signature.
Giulio Cappellini and the company: creator of the uniqueness of the company and emblematic figure in the international design scene is Giulio Cappellini, which is universally recognized as talent scout of young designers: over the years Cappellini has launched some of the world’s greatest designers, producing innovative and high quality furnishings, as Jasper Morrison, Marcel Wanders, The Bouroullec brothers, Marc Newson and Nendo. Giulio Cappellini deals with the Art Direction of Cappellini as well as with the company’s products and communication strategies. The most important Architecture & Design magazines have written about his activities and projects and “Time” magazine has named him as one of the most important trend setters in the world.
74 five-star rooms of avant-garde design in the historic city center
November 2012 – OHLA HOTEL is a new five-star hotel which opened in Barcelona in 2012. The refurbishment of the building was overseen by the Alonso, Balaguer y Arquitectos Asociados firm of architects, with the assistance of the artist and sculptor Frederic Amat. The project includes some of the most famous icons from the Cappellini collection for the interiors of both the rooms and the public areas.
Giulio Cappellini states: “The Ohla Hotel is one of the best Cappellini projects as it perfectly represents the spirit of the brand.”
The building dates back to the 1920s and has a neo-classical design typical of early twentieth century architecture. The destination is particularly well known in Barcelona as it once housed the city’s first famous and largest department store “Casa Vilardell”. The hotel is located in one of the city’s main avenues, the central Via Laietana, close to both the business district and the commercial area. The architectonic project has sought to preserve the historic façade of the building in a stimulating contrast with the avant-garde interior design of the hotel which combines a mix of natural materials, such as the warmth of oak, with innovative technical fabrics and shapes. .
The hotel’s interior is made up of 3 main areas: the bars and restaurants, the rooms and suites and the rooftop. Cappellini, with its high-quality contemporary design, characterises these spaces with a touch of irony and experimentation that well represent the city’s soul that combines tradition and innovation.
In the Ohla Gastrobar clients can sit on the brown leather covered Tate Stools by Jasper Morrison, a: comfortable solution for breakfast or a quick lunch. The guests of the Ohla Boutique Bar may enjoy a diverse range of cocktails while pleasantly relaxing on the cocooning Wander’s Tulip armchair by Marcel Wanders: a shape that creates the right atmosphere for a relaxing and intimate moment.
The rooms are personalized with an Igloo armchair and Gong table, while the lunch area of the larger suites host the Gamma table and the Crossoft chairs. Finally on the roof-top, the Ohla Terassa Chill-out area offers a wonderful panorama on the Gothic quarter of Barcelona. Here the visitors can enjoy this postcard view, or a moment of rest after a swim, while sitting on the celebrated Thinking Man’s chair by Jasper Morrison.
CAPPELLINI PRESENTS “HOMAGE TO SHIRO” AT “ABITARE IL TEMPO 100%PROJECT”
Poetry and lightness for an extraordinary and innovative way of thinking
Verona, October 2012
With the exhibition "Homage to Shiro" Cappellini will be the protagonist of “Abitare il Tempo 100% Project”, the trade fair that will take place in Verona from the 21st to the 23rd October, aimed at the European and eastern European markets.
In the exhibition area of the fair, with a very poetic display, the brand will tell the story of the magnificent collaboration between Giulio Cappellini and the celebrated Japanese architect Shiro Kuramata Not only the iconic products designed by Shiro Kuramata, still part of the Cappellini catalogue (such as Progetti Compiuti, Pyramid, Revolving Cabinet and Homage to Mondrian), will be on display, but also reproductions of original drawings and the new re-edition of the innovative Dinah cabinet: only a few pieces were produced in the 1980s before it was taken out of production, it is now highly sought after at international contemporary design auctions.
The characteristic feature of Shiro Kuramata who left an important mark in the history of design, was the desire to design pieces that remain unique like works of art, beyond the logic of mass production. The merit of Giulio Cappellini was to convince him to put his? creations into production to make them accessible to the public and descendants. For this reason "Homage to Shiro" has already received great success in Milan, Rome and Paris where it was shown before arriving in Verona..
Giulio Cappellini on Shiro Kuramata:
“What attracted me to Shiro Kuramata’s work was the poetry, irony and lightness found in his projects. These projects were never trivial but always extraordinarily innovative and interesting. Shiro was an exceptional person; introverted and highly educated. A man who assessed people, who wanted to be judged on his personality alone. He was inspired and close to the art world, pure industrial design would never have been able to produce poetic objects like his, he always had great respect and admiration for great artists and his ‘homages’ testimony this.
Shiro was great because as a designer he created beautiful and useful objects, that also made people dream. The launch of Shiro Kuramata’s products was a huge cultural leap for Cappellini, it represented the transition between being a furniture manufacturer to becoming a reference point in the evolution of contemporary design worldwide.
Just before he died I spent an entire afternoon with him in his studio in Tokyo playing with coloured pieces of Plexiglas that changed shade and colour depending on the sun’s movements, without even talking. Shiro taught me that often long silences are worth more than many words.’
“CAPPELLINI’S HEROES” @ SMETS - 5th September 2012
Une exposition pour raconter les designers et les produits icônes de la marque
Personnage hors du commun et dandy toujours au-delà des modes, Giulio Cappellini s'est révélé être un formidable découvreur de talents. Nombreux sont les jeunes designers qui ont réalisé leurs premiers projets pour Cappellini avant d’être reconnus au niveau international, des vrais « HEROES ».
L’exposition «CAPPELLINI’S HEROES» met en scène les créations les plus représentatives de ses nombreuses collaborations : un voyage temporel et géographique qui au travers des profils des designers choisis, nous transporte de la rigueur du japonais Shiro Kuramata à la gaieté du néerlandais Marcel Wanders. Un parfait assortiment des produits Cappellini, des icônes "historiques" réalisées entre les années 80 et 90 jusqu'aux produits plus récents comme les dernières nouveautés. Alessandro Mendini, Ronan et Erwan Bouroullec, Jasper Morrison et Tom Dixon sont parmi les protagonistes de cette exposition.
Depuis sa création, Cappellini s'est placée parmi les éditeurs les plus appréciés. Ses produits pop, à la fois contemporains et intemporels, ont depuis toujours été prisés des célébrités de la mode et du spectacle.
Giulio Cappellini, élève des maîtres de l'architecture comme Achille Castiglioni et acteur incontesté des années qui ont connu le succès design et de la production italienne, a toujours su comprendre les exigences des clients du futur. Au cours de ses 60 ans d'activité, Cappellini a édité des produits qui ont su trouver leur place dans les maisons du monde entier : des projets universellement reconnus comme étant porteurs d'une culture transversale proche d’univers qui semblent, de l'extérieur, être totalement différents. Des icônes indiscutables qui continuent encore de nos jours à prendre place dans les collections permanentes des musées d'art et de design les plus importants au monde, ainsi que dans l'imaginaire collectif.
Giulio Cappellini, qui s'est toujours distingué par son ouverture d’esprit et sa curiosité qui l'ont amené à explorer des cultures, des matières et des solutions très différentes, est l’auteur de cette réussite. Au cours de ses fréquents voyages, il saisit chaque occasion pour rencontrer les jeunes designers, dans les salons ou les écoles, et pour évaluer les innovations de matériaux et les solutions techniques les plus récentes. L'avenir de Cappellini ne pourra que nous surprendre avec ses nouveaux produits et ses nouvelles initiatives.
Smets | 650 652 Chaussée de Louvain, Bruxelles | +32 (0)2 325 12 30 | www.smets.lu
www.cappellini.it | www.facebook.com/CappelliniOfficial | http://twitter.com/#!/cappellini
Giulio Cappellini, Matteo Negri en Sylvain Willenz: ontmoeting tussen een talentenscout, een artiest en een jonge designer op de nieuwe Cappellini-etage
Cappellini: ART & DESIGN
26 Juni - 28 Juli 2012
154 Avenue Louise, Bruxelles
26/06/12 h17.30 – lecture: Kunst en Design. Hedendaagse kunst en vooruitstrevend design.
Giulio Cappellini, talentenscout en trendsetter, maar ook een groot kunstliefhebber.
Matteo Negri, Milanese artiest. Sylvain Willenz, een jonge Belgische designer. Hun ontmoeting moest wel leiden tot avant-garde en de exploratie, experimenten en expressies waarmee Cappellini zich altijd al wist te onderscheiden. Kunst en Design is een initiatief naar aanleiding van de officiële opening van de volledig aan Cappellini gewijde etage binnen de flagship store. Een volledig blauwe ruimte, een verwijzing naar de kleur van het merk.
Naar aanleiding van de opening organiseren we twee tentoonstellingen. De eerste is “Cappellini NEXT”, het bijzondere scoutingproject dat tijdens de Milanese designweek werd voorgesteld. Het betreft een installatie van prototypes die worden getoond zoals ze oorspronkelijk door de designer werden bedacht en ontworpen, zonder tussenkomst door de onderneming, in volle vrijheid. De ontwerpen die door Giulio Cappellini werden geselecteerd, komen uit de hele wereld, in een streven om te analyseren hoe op de verschillende plaatsen wordt omgegaan en gedacht over hedendaags design. Ze zijn dan ook een duidelijke uiting van de geografische en culturele invloeden die elke designer in zijn omgeving ondergaat.
De tweede tentoonstelling, “Drop me a line”, brengt een selectie werken van Matteo Negri (°1982) met als befaamde thema “Lego”: de "knopen” in hars en “kaarten” van plaatstaal zijn voorwerpen die zich op de subtiele grens tussen kunst, sculpturen en design bevinden. Een artiest geboeid door plastisch onderzoek gericht op de analyse van de verhoudingen tussen de werkelijke voorwerpen en hun vormelijke en semiotische transformaties. Matteo Negri, die wezenlijk gelinkt is met het design door zijn vermogen om nieuwe materialen te zoeken ter ondersteuning van het projectidee.
Cappellini invites you to discover ...
“Joy to confront with the world
Joy to learn about different cultures
Joy to show new faces
Joy to invent the next design
Joy to think ahead
Joy of intrigue and intrigue ourselves
Joy of giving a smile”.
“Cappellini NEXT - projects in progress from the world" is a hanging exhibition that best expresses the soul of exploration and research that takes place at Cappellini. Products are not presented as prototypes after being reinterpreted by the company, but rather are produced as originally conceived by the designers in their first phase, with complete freedom. This issue marks the spirit of Giulio Cappellini and his desire to analyze how the thinking of contemporary design moves at different latitudes. The projects selected by Cappellini are international in scope, coming from Brazil, the Czech Republic, France, India and Norway, and are a clear expression of the geographical and cultural influences of the environment on the designers, from the colors of India to the simplicity of Nordic design. Dancing Chair/Constance Guisset, Daddy Longlegs /Martin Solem, Stork Chair/Sahil&Sarthak, Circles,WireSofa/Studio Jan&Henry, Trez/Studio Zanini.
“Freedom to live according to our own thoughts
Freedom to build our own reasoned chaos
Freedom to mix products designed by different minds
Freedom to talk about ourselves by our fetishes
Freedom to be nomadic in our habitats
Freedom to put together products shouted and subdued
Freedom to mix colors and different textures
Freedom to be contaminated with different and distant cultures
Freedom to be curious and ironic
Freedom to live the contemporary thinking of the future
Freedom to be free and be able to look beyond the patterns”.
Freedom of thought, freedom to build our own home environment through suggestions, memories, recollections and the contemporary, always with a hint of irony. A downtown apartment or a house with large rooms, the Cappellini home is a house that draws inspiration from the world anticipating new ways of living: cured in every detail, friendly and experienced.
Cappellini NEWS 2012
“The cosmopolitan thought
The thought light and friendly
The thought of form and matter
The thought of the color and the synthesis
The thought of our history
The thought of today and tomorrow
The thought of contemporary minds
The thought of creating and producing
The thought of wanting to even think”.
The 2012 novelties - with 6 new young collaborators - as in a museum, on strict black and white pavements: exploration, pioneering and experimental, expressions that distinguish our brand. Cappellini still dares to mix shapes and materials, past and future research and tradition.
Giulio Cappellini, 2012
BRANCH TABLE - design: Jakob Wagner, 2012 – Denmark
The frame of the Branch table is made of identical aluminum elements that put together form a unified hole. The elements interconnect seamlessly and dissolve where one ends and the next begin, in a continuous movement. This creates and an interesting visual play between the oneness of each element and the wholeness of the frame. When assembled they form a complex yet logic supporting frame that makes a very stable and light table. One single component is repeated 3, 4 or 5 times to create a family of tables. The dimensions have been conceived so that 2 people can sit between each leg and the table can be for 4-6-8-10-12 people. It is easy to assemble and takes little space to transport. The surface can be in glass or mdf lacquered white, charcoal, mud, natural oak and wengè; the frame can be chromed or painted in the same color of the top.
Size: diameter cm 130, 160 e 190 x H75 or cm 150 x 150 x H75 or cm 120 x 170 x H75.
About Jakob Wagner Studio
Born in Copenhagen in 1963, Jakob did his first degree in Design-Engineering. After studies and internships in Colorado, Milan and Paris he completed his second degree in Product Design at Art Center Europe, Switzerland in 1992. Established in 1993 in Copenhagen the studio predominantly worked with high tech products for sport, professional and medical applications the first 10 years. Jakobs work has been exhibited internationally and has received numerous awards (3 Red Dot, 2 IF, Bundespreis, Designer of the year, etc) and is included in the permanent exhibition at MOMA New York. The Studio aims to create meaningful products with substance that challenge both our mind and our senses by being simple to perceive yet complex to figure out. The goal is products with inherent natural beauty that touch us emotionally and give us joy when using.
GARMENT - design: Benjamin Hubert, 2012 – Great Britain
Garment is a lounge club chair with a unique approach to the application and construction of textile in the furniture industry. The chair is a study into how to ’dress’ a piece of furniture defying the conventional rules and construction of typical upholstery. A single piece of textile is loosely folded around a distinctive geometric moulded polyurethane foam form. This construction and loose cover allows for creases to become part of the character of the chair reminiscent of a piece of fashion and increases the sensation of visual softness. The chairs construction is ‘stitch less’ as it is comprised of a single sheet of textile fixed onto the form with Velcro. The cover can be easily removed and interchanged based on the season or fashion, available with fabrics and Alcantara.
Size: cm 70 x 60 x H74.
About Benjamin Hubert Studio
Born in the UK in 1984, Benjamin Hubert studied at Loughborough University and graduated in 2006 in Industrial Design and Technology; he founded his studio in 2007 in London. The studio specializes in materials driven, process led, industrial design across furniture and lighting sectors working with international manufacturers in Europe. He works on a diverse range of projects including both mass/batch produced consumer products and limited editions. His products have been exhibited internationally. Benjamin has also received a number of prestigious awards including: Design of the year (British Design awards 2010) Best Product (100% design/Blueprint awards 2009) Homes and Gardens Young designer Year (Design Classic awards 2010), EDIDA International Young Designer of the year 2010, IF Awards 2012 and The A&W Mentorpreis 2012.
SUPERHEROES - design: Glimpt, 2012 – Sweden
A family of seating furniture, where the large stool can also be used as a table. Threads are rolled around a tubing that is attached to a metal frame, this process originates from a Vietnamese technique where paper thread is rolled around seagrass to make small bowls. Together they form a group of individuals, playing well together or on their own. The idea of Superheroes came following a journey to Vietnam where Glimpt visited different artisans, studying their techniques and finding inspiring materials and colours. After a while they came into contact with skilled seagrass and plastic weavers in Ho Chi Minh City. Glimpt also wanted to incorporate other influences in their work so they contacted the Swedish illustrator Malin Koort, who helped develop the patterns for the series. Glimpt likes to look at history and aesthetics of the countries they visit, keeping open mind and being inspired by the people, the country and the culture itself.
Size: small stool diam. cm 45 x H36; big stool diam. cm 70 x H31; armrest: diam. cm 70 x H31/56.
DROP - design: Nendo, 2012 - Japan
Bookshelves opened on both sides in three different heights, made of a sheet metal laser-cut and matt lacquered. The peculiarity of this project is the study of a scale of colors "Nendo" inspired by the natural elements that reminds Japan, from the rose-colored blossoms of cherry trees, to the warm gray of the stones of the brooks.
Size: cm 55 x 32 x H70; cm 55 x 32 x H140; cm 55 x 32 x H175.
LACE METAL LAMP - design Form Us with Love, 2012 – Sweden
The idea behind the Lace Metal lamp came while visiting a Swedish metal working factory called Häfla Bruk, one of Sweden's oldest companies, established in 1682. When Fuwl visited them, they had just came up with a new technique of manufacturing steel mesh with gradient sized holes. This struck them as very poetic, resembling textile or lace. They immediately felt the desire to make a lamp with this material, since it has great characteristics as a lampshade as small holes that cover the light source, gradually get bigger to diffuse the light in a beautiful way. The result is a lamp made out of metal that has a look of lightness and fragility, a very nice contrast: the gradient holes add to this feeling diffusing the light in an atmospheric way. Another good thing about the production of the lamp is that no waste materials are produced. The colours presented are black and white matt lacquered.
Size: diameter cm 70 x H160.
About Form Us With Love
FUWL is a multidisciplinary design studio from Stockholm, started in 2005 by the trio of John Löfgren, Jonas Pettersson and Petrus Palmér. The studio aims to challenge the conventional through design initiatives and their work has been awarded with numerous international awards. FUWL are driven by an idea focused approach to design where experimentation and cross border projects are encouraged. Important aspects of their philosophy include durability, curiosity and humanism. FUWL is influenced by the Nordic design heritage, but at the same time reinventing it. The result is a kind of tweaked functionalism with love.
CANDY TABLE - design: Sylvain Willenz, 2012 – Belgium
Candy Collection reinvents the steel reinforcement bars normally used for concrete structures. Thanks to an industrial coating process, the common and usually unattractive rusty steel bars are given a new and seducing identity. Candy Table explores beauty and simplicity of ready-available construction materials to make furniture. A commonly known bar, by means of a simple design and an industrial intervention, becomes a beautiful and classic piece of furniture. Surprisingly, the purely functional texture of the bar becomes a decorative element once painted. The tables are available in 2 different shapes/sizes and 5 matt colours (blue, green, white red and black).
Size: square cm 40 x 40 x H40 and round cm 45 x H40.
About Sylvain Willenz Design Office
Born in Brussels in 1978, Sylvain Willenz has lived consecutively in the US, Belgium and in the UK. Sylvain studied MA Design Products at the Royal College of Art in London, graduating in 2003. In 2004, Sylvain opened his industrial design office based in Brussels. With an approach characterized by a clear inquisitiveness for products, industry and processes, Sylvain Willenz and his team, work on various projects ranging from lighting to products, IT electronics and furniture. Works by Sylvain Willenz have been granted some of the most highly considered awards including several IF Awards and Red Dot "Best of the Best" Awards in Product Design. Several works have also been acquired bym, integrating into their permanent collections and archives. In 2009, leading press and institutions (Le Vif/Knack WE Magazines, The Interieur Foundation, the Design Museum Gent and the Museum of Grand-Hornu Images) nominated Sylvain as Belgian Designer of the Year.
NOM (Nature of Material) – design: Bakery Studio, 2012 – Israel
NOM is a series of stackable furniture. Each object is folded from a spread of laser cut aluminum sheet, which then bends to the final form using a bending mold. The concept of the project is to combine straight origami like folds with natural folds. This is achieved by folding the legs of the objects in planned and exact folds which creates side effects of stretching and bending in the material. In other words, by folding the legs of the objects the surface above reacts naturally to the folding act. This integration between strict and natural folds creates a steady construction from one hand and a soft, organic, upholstery like shape from the other.
Size: coffee table cm 57 x 57 x H40, stool cm 37,5 x 37,5 x H44,5.
About Bakery Studio
Bakery was founded in 2009 by Ran Amitai (born 1980)and Gilli Kuchik (born 1983). The designers met and became a couple in life and in design during their studies at the department of Industrial Design at the Bezalel Academy of Art and Design in Jerusalem. They believe in a design process based on hands-on experimentation and play with materials and technologies and finding new ways of interpreting traditional production methods. Gilli and Ran live and work in Tel Aviv, Israel.
ALTOLETTO - design: Giulio Cappellini, 2012
A simple and concise form declined in two colors: white and anthracite. A high bed, streamlined for those who love rigorous objects. Base in metal in which is inserted a wooden headboard matt lacquered or covered with fabric and a double floor for rest covered with white fabric or anthracite.
ALTOSOFT – design: Giulio Cappellini, 2012
A bed with a deliberately neutral image and timeless ready to go in the most different rooms. A metal structure on which lay the mesh and the large back cushions for comfortable relaxation. Available in various sizes and finishes from the large fabric samples Cappellini.
SUPEROBLONG BED – design: Jasper Morrison, 2012
The famous and much imitated sofa designed by Jasper Morrison gives rise to a bed available in various sizes and finishes. The soft cushion/backrest as well as ensuring good comfort characterize the design simple, rigorous and timeless of this great designer.
GAMBETTA – design: Jasper Morrison, 2012
Collection of upholstered armchair, sofa with two elements with or without terminal, a bench with two or three seats and a coffee table. Its characteristic is the back rounded. The structure is in plywood and solid wood with padding in polyurethane foam of different densities. The legs are cast aluminum painted black. Fixed cover in fabrics and leathers of the collection.
LUXOR – design: Giulio Cappellini, 2008/2012
The new Luxor presents the possibility to combine containers of different sizes with bases of different sizes, even of different colors. The series includes a console drawers and open cabinets or doors hinged, sliding or folding doors flush with drawers and shelves. This flexibility makes them suitable for living rooms and office: light and clean, free air, the Luxor containers are roomy and simple but well in the smallest details, from the construction of the box, made in the conglomerate of high-density fiber and the plywood covered with aluminum to the hinges specially designed. Available in macroter or glossy or matt colors combined with metal bases macroter of any color.
TATE COLOR - design: Jasper Morrison, 2012
Stackable chairs and stools with four legs and 8 color finishes. Agile and fun is proposed in colored version tone on tone (aniline color for the body and matt satin lacquered base with epoxy paint of the same color of the body) or body brushed painted with stainless steel base.
Size: cm 51 x 51 x H45/80; stool cm: 49 x 43 x H64/100 and cm 49 x 43 x H80/117.
DINAH - design: Shiro Kuramata, 1970/2012
Reissue of the drawers belonging to the famous collection “Progetti Compiuti”. True to the original draw of 1970, it is a column unit composed of 18 white lacquered wooden drawers that open on both sides of the structure, that is in metal laser-cut and painted with epoxy powder matt black. Produced in a numbered series but not limited, now it is part of the Moma NewYork collection.
Size: cm 60 x 50 x H177.
2011 PROTOTYPES NOW PRESENTED AS PART OF THE COLLECTION
FRUITLAMP and SOFALAMP - design: Daphna Laurens, 2011/2012 – The Nederland Two models of lamp, leaving room for flexible, personal interpretation: the tray for the table lamp and floor lamp can serve as a container for loose change tray or a fruit bowl. The solid natural walnut of the frame, and the shade and tray colors, recall simple and traditional shapes, taking us back in time. They are characterized by attention to detail, from bolts colored to the dark brown cord. Available in blue, sand and brown.
Size: Fruitlamp: cm 34 x 32 x H41, Sofalamp: cm 42 x 34 x H10,5.
About Daphna Laurens
Daphna Laurens is unification of Daphna Isaacs (1982) and Laurens Manders(1984).
Both associates of the Eindhoven based twosome are graduated at the Design Academy Eindhoven in the years 2006 and 2008. In the year 2008 they founded their design studio. Daphna Laurens are two minds that melt together into one designer, in order to design in the purest sense of the word. They like to give shape purely intuitively. In this way objects are being transformed into characteristic products with sophisticated combinations of fluent shapes, natural materials and color. Daphna Laurens aspires to find a combination between design, applied art and fine art.
POH (Patchwork Oval Hemisphere) - design: Raphael Navot, 2011/2012 – Israel
Patchwork Oval Hemisphere is an object, a shape, an ambiguous volume. Its functional definition is deliberately absent. Its semantics can imply it to be a table, a bench, a sculpture... Created from a patchwork of rough wooden pieces - both old and new - combined randomly by hand to a massive block that is sent to a digitally controlled machine to carve the computer generated three dimensional form. Hand made, machine made and computer made. Made with massive American walnut and Poplar core. Each produced item is unique. Produced in a numbered series.
Size: cm 233 x 50 x H34.
About Raphael Navot
Born in Jerusalem Israel in 1977 and graduated in ‘The Design Academy’ of Eindhoven, The Netherlands; a multidisciplinary non-industrial designer, live and work in Paris, France. Most of Navot works focus on the principle of custom made and adapted design, made to measure interior design and multi-semantic objects where the design principle of ‘form-follows-function’ is reversed to ‘function-follows-form’. Various clients and collaborators: Silencio club Paris, in collaboration with David Lynch, is the most innovative project in which he is deeply involved.